Botanical bodies, On the political and ritual meaning of plants
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During the event Botanical bodies, On the political and ritual meaning of plants we will illuminate some social and political aspects of the history of plants and their co-option throughout colonial history, as well as their feminist and folkloristic contexts. The invited speakers are interested in the history and science of plants and how botanical treatments were historically associated with women’s social roles as healers and herbalists as well as various types of rituals. We will refer to the meaning of plants in different struggles – against colonialism and slavery, and for feminism and women’s rights in Europe. Join us for an extended afternoon of talks, encounters and discussions!
Convened by Louise Osieka (CIAP), Aneta Rostkowska (Academy of the Arts of the World), Wendy Morris, Piet Mertens and Pieternel Vermoortel (Netwerk Aalst).
12:30 – 3 pm: Welcome and encounter The Herball
Location: Zwarte Zustersstraat 17 – 1st floor
With Tinde van Andel, Mariske Broeckmeyer and Wendy Morris
Central to this encounter is Wendy Morris´s recent project The Herball in which she is researching and compiling a herbarium for a 17th century midwife living at the Cape. The project involves historical, material and artistic research that will materialize as sound works, gardens, writings and interdisciplinary collaborations. The Herball will be homed at Netwerk Aalst for the next three years.
12:30 am: introduction by Wendy Morris
1 – 2 pm: talk by ethnobotanicus Tinde van Andel
2 – 2:30 pm: talk by composer and singer Mariske Broeckmeyer
3 – 4:30 pm: Blessings in Disguise: Plants, Fumes and Wandering Wombs
Location: Zwarte Zustersstraat 10 – Under the Ginkgo biloba
By Wendy Morris, with a performance of Hildegard von Bingen, music by Mariske Broeckmeyer and Hendrike Scharmann, and stories of trees by Bart Backaert, head of the green services Aalst.
Behind the old city hall in Aalst grows an ancient tree, a Ginkgo biloba, that produces a fruity nut that drops in the autumn to cover the grass underneath. Described by townsfolk as a gigantic vegetal uterus, the seeds of this tree ripen on the ground to develop a pungent and powerful smell. Townsfolk keep their distance. This autumn a temporary encampment is set up next to the tree. The Wandering Womb stops over on her travels. She brings with her sweet smells in the form of summer strewing herbs: Artemisia vulgare, Filipendula ulmaria, Melilotus officinalis, Melissa officinalis and Tanecetum vulgare. FUME is the encounter between the two entities, an orchestra of the scented and the stinking.
6 – 8 pm: On plants and politics. Talks and discussions
Location: Netwerk Aalst – Houtkaai 15
6 – 6:45 pm: Floraphilia: On the Interrelations of the Plant World, Botany and Colonialism by Aneta Rostkowska
Aneta Rostkowska will talk about the project Floraphilia: On the Interrelations of the Plant World, Botany and Colonialism. This project is dedicated to the social and political aspects of the history of plants, botany and botanical gardens. She will focus on two exhibitions as part of this project: Floraphilia. Plants as archives realized at the Academy of the Arts of the World in Cologne in 2018 and Floraphilia. Revolution of plants which will open as part of the Warsaw Biennale in October this year. An important part of the talk will be an analysis of the sculpture of Candice Lin Untitled (Abortifacient Flower) from year 2016, presented in the first exhibition, that produces a smell composed of plant ingredients that were used to carry out abortions by women living in various contexts, especially under slavery (fennel, wormwood, juniper berries, carrot seed, cardamom and parsley seed). The induced abortion is here to be considered as a way to negotiate power in conditions of extreme powerlessness and plants become non-human collaborators in a system where there is no other way of resistance.
7 – 7:45 pm: presentation of Georgiana Cojocaru
Georgiana Cojocaru will talk about Romanian folklore (as it is theorized in conventional anthropological approaches) which revolves around plants and animals, be it myths, legends, rituals and the design of magical objects. She will elaborate on Romania’s recent past after the fall of communism when nationalistic and far right movements appropriated this set of rural knowledge to advance masculinist, vitalist and identitarian narratives. As a response, the talk will attempt to reclaim this ‘national’ heritage as forms of decentralised knowledge that accommodate feminist, non-human, and anti-patriarchal perspectives.
7:45 pm – onwards: degustation
Degustation of a new jenever infused by plants brown bears eat immediately after their hibernation and prepared by artists Casper Fitzhue and Bart Van Dijck for the current exhibition URS GEEST at CIAP in collaboration with Jenevermuseum Hasselt and EUROPALIA ROMANIA.
Info and registration
To subscribe or for more information: email@example.com or 053 70 97 73.
In collaboration with
The event is a part of the two-year project Floraphilia: On the Interrelations of the Plant World, Botany and Colonialism. In 2019 Floraphilia takes place in Berlin, Aalst and London together with an exhibition Floraphilia. Revolution of plants to open on 25.10.2019 in Warsaw in cooperation with Biennale Warszawa. Floraphilia is a project realized by the Academy of the Arts of the World/Cologne and funded by the German Federal Cultural Foundation.
The event belongs to the public program of the exhibition ALIAS on view at Netwerk Aalst.
Georgiana Cojocaru, Casper Fitzhue and Bart Van Dijck are invited in the context of the exhibition URS GEEST by Casper Fitzhue and Bart Van Dijck at CIAP, developed in collaboration with the Jenevermuseum Hasselt and EUROPALIA ROMANIA.
Thanks to LUCA School of Arts and Deep histories fragile memories research constellation. Deep histories fragile memories is an artistic research constellation located in the Intermedia research unit of Luca School of Arts, Brussels.
Biographies of the participants
Tinde Van Andel is an ethnobotanist and Professor of the Clusius chair of History of Botany and Gardens at Leiden University, Netherlands. She has researched medicinal plants in West Africa and colonial Ceylon, sacred herbs in Suriname, charm plants in the Guianas, herbal markets in Ghana and medicinal plants used in menstrual disorders in Africa, Asia and the Caribbean.
Mariske Broeckmeyer is a singer and composer who is currently researching the meanings of migraine in art and music. Her work has led her to points of convergence with the art project of Wendy Morris The Travelogue of the Wandering Womb. In the early middle ages the cause of migraine was frequently attributed to the wandering womb and hysteria. Hildegard von Bingen, herbalist, philosopher and composer, and migraine sufferer herself, recommended herbs that would soothe migraine. In her contribution to the event Mariske will be talking about these points of convergence and singing seldom heard von Bingen chants.
Bart Backaert is the head of the Green Services, parks and gardens in Aalst, folklorist and an expert on regional trees and their cultural uses. He is a collaborator in the Herball project of Wendy Morris and in the creation of the Nicolas Culpeper Garden of Virtues that is being established in Aalst.
Georgiana Cojocaru is an art writer, curator and editor living and working in Bucharest. She pursued her postgraduate studies at the University of Kent, Canterbury, graduating from the M.A programme The Contemporary. There she further expanded her interest in thinking critically about contemporaneity and developing new theoretical tools and forms of writing that would articulate possible responses to difficult contexts and challenging forms of collectivity. Currently she is the managing editor of Revista—ARTA, Magazine for Contemporary Art since 2017. As an independent curator and art writer her focus shifts between generic aesthetics, poetry in the anthropocene and fictionalisations of criticism in recent art writing.
Bart Van Dijck is a multidisciplinary artist. His work consists of videos, objects, sculptures, performances, photos, soundtracks and installations. Animism, shamanism, folklore and contemporary subcultures are his sources of inspiration. Van Dijck teaches at the the Royal Academy of Fine Arts (Antwerp), to which he is also associated as a member of the research group Body and Material Reinvented. In his current research, the artist explores the tension between artistic and ritual practices.
Casper Fitzhue is a visual artist and writer who deals with the boundaries of the medium, the predominant story of the mass media and the role of the artist as mediator. After studying literature where he specialised in magical realism, he studied graphic and visual communication design at the University of Leeds. Since 2015 he has been living in Belgium, where last year he obtained his master’s degree in fine arts at the academy of Antwerp. Recently he became interested in the spectacle of exhibiting where he explores the thin line where the work of art stops and where its presentation begins.
Aneta Rostkowska is a curator, researcher and writer, and a graduate of the de Appel Curatorial Programme in Amsterdam. Rostkowska studied philosophy, economics and art history in Kraków, Pozna?, Heidelberg and Frankfurt am Main. From 2016 to 2018 Rostkowska worked as a curator at the Academy of the Arts of the World in Cologne. Since January 2019 she is a director of Temporary Gallery, Centre for Contemporary Art in Cologne. Since 2018 she is curating the project Floraphilia: On the Interrelations of the Plant World, Botany and Colonialism.