Yoshimasa Wada joined the Fluxus movement in 1968 after meeting George Maciunas. Like many of his minimalist peers, he was thaught by Indian master Pandit Pran Nath. Until the late eighties he composed impressing drone pieces that influenced a whole new generation of experimental musicians. In his recent work he focuses on voice and bagpipe. For KRAAK festival he made a new and exclusive composition.